She spent all her childhood summers with them in Scotland and she just can’t see that they’re a bit strange. The worst thing is, she starts talking about witchies and titchies when she’s with them.
Still, there’s nothing I can do about it—they’re here now. I finish brushing on my mascara and stand up, looking at my reflection. I’m pretty pleased with what I see. I’m wearing a really simple black top and black trousers—and, tied loosely round my neck, my gorgeous, gorgeous Denny and George scarf. God, that was a good buy. It looks fantastic.
I linger a bit, then resignedly open my bedroom door.
“Hi, Bex!” says Suze, looking up with bright eyes. She’s sitting cross-legged on the floor of the corridor, ripping open a present, while Fenella and Tarquin stand nearby, looking on. They’re not wearing matching jumpers today, thank God, but Fenella’s wear-ing a very odd red skirt made out of hairy tweed, and Tarquin’s double-breasted suit looks as if it were tailored during the First World War.
“Hi!” I say, and kiss each of them politely.
“Oh, wow!” cries Suze, as she pulls out a picture in an old gilt frame. “I don’t believe it! I don’tbelieve it!” She’s looking from Tarquin to Fenella with shining eyes, and I look at the picture interestedly over her shoulder. But to be honest, I can’t say I’m impressed. For a start it’s really dingy—all sludgy greens and browns—and for another start, it just shows a horse standing still in a field. I mean, couldn’t it have been jumping over a fence or rearing up or something? Or maybe trotting along in Hyde Park, ridden by a girl in one of those lovelyPride and Prejudice dresses.
Sun Nov 13, 2011 7:59 pm by xiaowanzi
